The work of Betty C Fan introduces an acoustic dimension to the exhibition. Born in Taipei and raised between Hong Kong and the United States, Fan trained in classical music before turning towards sculpture and experimental sound. She constructs instruments from materials such as clay and metal, creating objects that sometimes resemble artefacts from an unfamiliar archaeological past. Their purpose, however, becomes apparent when they are played. In performances combining improvisation with field recordings, the instruments produce a shifting soundscape shaped by touch and physical movement. Fan's interest in sound is closely connected to questions of cultural memory and displacement. She approaches listening as a means of recovering experiences that cannot always be expressed through conventional forms of narrative.